Twelfth Night Essays: Learning About Love :: Twelfth Night essays

In Shakespeares Twelfth Night, it is clearly obvious that the fluctuation in attitude in the dual role, situation and tribulations obligate upon the character of genus Viola/Cesario gives rise to a better understanding of twain sexes, and thus, totallyows Viola to have a better understanding for Orsino. Through the make do of Orsino and Olivia, Viola learns the difficulties of drive in from both standpoints, man and womans. Near the opening of the play, when Viola is adopting her male identity, she creates another self equivalent two masks and may purpose to wear one or the other while swinging amongst the two identities in emotion and in character. She decides to take on this identity because she has more than freedom in society in her Cesario mask, which is evident when she is promptly accepted by Orsino, whereas, in her female identity she would not be. Thus, a customary role in society and to the outlooks of others is portrayed. Orsino sees Cesario, as a spring chic ken squire just starting out in the world, much like himself as a young, spry lad, so he has a movement to be more willing to unload onto her his troubles and sorrows, seeking a helper with which to share and to teach. Thus, Viola grows in her male disguise to get a better feeling for his inner self, not the self that he shows to the public, or would reveal and share with Viola in her true female self, nevertheless rather his secret self, as he believes he shares with a peer. So, she grows to love him. But, Orsinos motivation is actually not love for Viola, but rather he seems to be in love with love itself. His entire world is fill up with love but he knows that there might be a turning point for him, like when he says If music be the diet of love, play on give me excess of it, that, surfeiting, the appetite may sicken, and so die (I, i, 1-3). This quote shows that he knows that he is so caught up in love, that he hopes his appetite for love may simmer when he takes more tha n he can handle. Near the end of the play, when all tricks and treacheries are revealed and all masks are lifted, Orsino falls in love with Viola. He first forgives her of her duty to him, the master then says that she shall now be her masters mistress.